Paul Cézanne and Gustave Courbet were two influential artists from the 19th century, each with distinct artistic styles that contributed significantly to the evolution of modern art. Here's a comparison of their styles based on current understanding:
Post-Impressionism: Cézanne is known for his role in the development of post-impressionism, a style that laid the groundwork for the transition to modern art. His technique involved brushwork that built form through color modulation rather than relying on lines.
Exploration of Form: Unlike the traditional approach to depiction, Cézanne focused on the structural elements of the subjects he painted, employing geometric simplification to capture the essence of form.
Color and Modulation: His palette evolved to include a wide variety of colors, and he often used color to create a sense of weight and volume rather than light and shadow. This technique is apparent in his series of still lifes and landscapes.
Influence and Evolution: While initially he was heavily influenced by artists like Gustave Courbet, he gradually developed his style that moved beyond realism to explore the abstract qualities of his subjects.
Realism: Courbet was a leading figure in the Realist movement, focusing on depicting everyday scenes and people with a sense of honesty and authenticity unmatched by prior academic styles.
Earthy Palette: His use of dark, earthy tones and thick brushwork emphasized the raw, unidealized nature of his subjects. This approach was a deliberate rejection of the polished, idealized depictions prevalent in academic art at the time.
Social Commentary: Many of Courbet's works contained subtle or overt social commentary, challenging the norms of his time by representing rural workers, peasants, and scenes from his native Bourgogne.
Direct Painting Style: Courbet often applied paint thickly with a palette knife, creating a sense of texture and physicality in his paintings that was part of his realistic approach to art.
For more detailed insights, you may refer to this article.