Reference

House music boasts a diverse range of subgenres, each with unique characteristics that distinguish them from one another. Here's a brief overview of some of the main subgenres of house music and their differences:

1. Acid House: Known for its squelching sounds produced by the Roland TB-303 synthesizer. Acid house has a repetitive and hypnotic structure that became popular in late 1980s rave culture.

2. Deep House: Characterized by complex chords, subdued basslines, and an overall relaxed vibe. It's known for incorporating jazz, soul, and funk influences, creating a rich, mellow sound.

3. Progressive House: This subgenre is known for its longer, more complex compositions that build tension through an evolving structure. Progressive house often has a more polished, melodic sound.

4. Tech House: Combines elements of techno with house music. It features a bouncy, minimalist beat, with funky basslines and elements of both house and contemporary techno.

5. Electro House: A fusion of electro and house music. This genre typically includes heavy bass and a tempo ranging between 125 to 135 beats per minute. It's known for its energetic sound and big room feel.

6. French House: Often infused with elements of disco and funk, this subgenre uses filter effects and samples from old recordings. It became widely recognized through artists like Daft Punk and is known for its smooth, looping samples.

7. Minimal House (Microhouse): A more minimalist take on the house genre, focusing on stripped-back beats, minimal arrangements, and a use of repeating patterns.

You can explore more detailed explanations and examples of each subgenre on resources like PLAYvirtuoso's blog or Meemix, which offer in-depth insights into many other variations of house music.

Here's an image depicting the structure of various electronic music genres, including house music's diverse subgenres:

These differences reflect the creative adaptations and fusions within the larger umbrella of house music, showcasing its versatility and wide appeal.