Frank O'Hara's poetics, characterized by its spontaneity, conversational tone, and engagement with everyday life, have had a significant influence on many poets, including Dmitry Kuzmin. O'Hara's approach, often described as part of the New York School of poetry, emphasizes immediacy, personal experience, and a sort of casual intimacy that breaks down the barriers between poet and reader.

Dmitry Kuzmin, a contemporary Russian poet, editor, and translator, draws from O'Hara's style in several ways. Kuzmin's poetry often reflects a similar immediacy and conversational tone, engaging with the mundane aspects of life while imbuing them with deeper meaning. Like O'Hara, Kuzmin frequently incorporates elements of his personal life and surroundings into his work, creating a sense of intimacy and immediacy.

Moreover, Kuzmin's work often reflects a playful and experimental use of language, another hallmark of O'Hara's poetics. This includes a willingness to blend high and low culture, infusing his poetry with references from various aspects of contemporary life, much like O'Hara did with his references to art, music, and urban life.

Additionally, Kuzmin's role as a translator and promoter of contemporary poetry in Russia echoes O'Hara's own interconnectedness with the artistic community of his time. Both poets have contributed to the literary landscape not only through their writing but also through their efforts to support and disseminate the works of other poets.

In summary, O'Hara's influence on Kuzmin can be seen in the latter's conversational style, focus on personal and everyday experiences, playful language use, and active engagement with the broader literary community. These elements help create a vibrant and dynamic body of work that resonates with O'Hara's poetic ethos while maintaining Kuzmin's unique voice and cultural context.